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Had been reviewed to the heavens and touted well, would that letter have been written? McBride claims his letter has nothing to do with that, but I saw ‘Red Snare Summer’ and it’s definitely not Lee at his best in my opinion as an African American. Chris Rattle sounded innocent enough for asking the question that set Lee off at the Sundance Q&A, and it took every bit of willpower to not call him on this since I comprehend for a fact, getting money for most film projects, whether they’re stocked with lily drained people or not, is hard as hell. Our editor had a film project he developed for years to eschew get three boys out of prison who didn’t deserve to be there (the West Memphis Three), but the studios were just as upon even though he had people like Gina Gershon, Drea deMattea, Bill Macy and several other bankable stars for a close indie budget film.

It’s just the game we all recognize in Hollywood of dealing with the studios. They’re a pain in the ass and more worried about getting fired than producing well-founded films. There are so many filmmakers who, rather than blame the studios, just get creative and find their own financing and along the film they want to. I get tired of filmmakers blaming studios for not giving them currency. If you hate the system so much and rail against it, why do you keep rushing back to it with your hand out?

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